The Stage 32 Videos

I'm playing a corrupt highway cop soliciting bribes from motorists.

Sinossi – Nina Nel silenzio di una notte qualsiasi, Nina, sedici anni, parla al suo telefono come fosse un confessionale. Registra e cancella una serie di messaggi vocali che non invierà mai a un ragazzo che l’ha fatta sentire invisibile. Mentre vaga per casa — dalla camera al bagno, dalla cucina al corridoio — il suo monologo si trasforma lentamente da una lettera d’amore ferita a un dialogo con se stessa. Tra risate nervose, scuse e momenti di verità, Nina affronta il dolore del rifiuto e la tentazione di annullarsi per essere amata. Quando all’alba sussurra “Io esisto anche quando qualcuno smette di amarmi”, qualcosa in lei cambia. Decide di non inseguire più chi l’ha dimenticata, e nella luce che entra dalla finestra trova un fragile ma autentico respiro di libertà.

A psychological thriller short film about fear, loss, and the desperate search for a missing child. Directed by Iulian Mihai Oancea Official festival submission.

THE OBSIDIAN MIRROR | Official Trailer (4K HDR)

Short piece inspired by Jessie Buckley in "Bride".

A tense procedural drama scene centered on fear, betrayal, and the moment a mother realizes the reality of her daughter's disappearance may be far worse than she feared.

Emotional sci-fi drama clip from Modified, a grounded character scene about the cost of loving someone who has endured trauma no one else understands.

Hi, I am Saibal Ray from the city of Kolkata, India. Apart from filmmaking, so far I have authored twelve books of poetry, screenplays, novels, short stories and a wide range of non-fiction essays and blog posts in various genres like political thriller, family drama, fantasy, young adult, reports, research papers and fusion. They are available on my weblog, https://saibalrayindia.blogspot.com/. Check it out. YouTube link: https://youtu.be/_DtrAeK_LtE/

Been working on making my scenes feel less monologue-heavy and more reactive, so this time I experimented with using an off-camera reader setup while recording. Still figuring out the timing/listening side of it, but I wanted to push myself out of the more isolated style I’ve been doing before. Would appreciate feedback specifically on whether the interaction feels more alive and connected this time.

My first senior project: A story about a businessman who is buying the most expensive diamond necklace from a mafia, but a mere misunderstanding causes a conflict with a fatal side effect and an involvement of a hitwoman. But little do they know, what awaits them in the end.

Most filmmakers can tell you their genre. Far fewer can tell you their niche market. “My film is a drama” is not a distribution plan. Who is the specific audience? Where do they already gather? What do they already watch? Why would they care enough to buy, share, or show up? Before you chase funding, festivals, or distribution, ask the harder question: What niche market is your film built for - and do you actually have a plan to reach them? Check out the full episode with u/vrowen here: https://youtu.be/YSntq8eOJtM https://www.podbean.com/eas/pb-eueiv-1a8d58e